The excerpt opens with a visit to the Churchill War Rooms, which my wife and I made during a trip to London in 2015. I’d heard that the War Rooms were cool, but as I recall we went there more or less on a whim (or at least it wasn’t a super-high priority); but it turned out to be a pretty revelatory visit.
The exhibits describe the ups and downs of his political career; his indefatigable energy defending Britain and the empire; his eloquence and skill as a writer; his daily life during the war; and his mix of political opportunism, realpolitik, and idealism. But one aspect of his working life gets only a brief mention, at the end of the tour: his habit of taking daily naps.
Churchill himself regarded his midday naps as essential for maintaining his mental balance, renewing his energy, and reviving his spirits. He had gotten into the habit of napping during World War I, when he was First Lord of the Admiralty, and even during the Blitz, Churchill would retire to his private room in the War Rooms after lunch, undress, and sleep for an hour or two. Unless German bombs were falling, he would then head to 10 Downing Street for a bath, change into fresh clothes, and return to work. Churchill’s valet, Frank Sawyers, later recalled, “It was one of the inflexible rules of Mr. Churchill’s daily routine that he should not miss this rest.”
It was also the visit that got me to pay some attention to Churchill’s love of painting. There are a couple panels devoted to his painting, but they were enough to make me track down his book Painting as a Pastime.
That, in turn, made its way into my discussion of “deep play” in the book.
I just wish I’d taken more pictures of the War Rooms while I was there, but given that you see everything from behind big plexiglas sheets, most of the space wouldn’t have photographed very well anyway. Instead, here’s another picture of Big Ben.